🌹 Works 🌹

1Q84 ⬩ How Akira’s Record-Breaking Use Of Color Resulted In 50 New Shades ⬩ A Little More Red Sun on the Human ⬩ A novel nematode species from the Siberian permafrost shares adaptive mechanisms for cryptobiotic survival with C. elegans dauer larva ⬩ A Second Train Song for Gary ⬩ A Treatise on Stars ⬩ A Wave ⬩ Against Interpretation, and Other Essays ⬩ An Aquarium ⬩ Aux Arc / Trypt Ich ⬩ Be With ⬩ Begin to See: The Photographers of Black Mountain College ⬩ Best Ship Braving Waves ⬩ Blueberry Earth ⬩ Boat ⬩ Breathe ⬩ Calling a Wolf a Wolf ⬩ Caroline Polachek on desire, going viral online and starting a solo career in her 30s ⬩ Certified Copy: Interview with actress Juliette Binoche ⬩ Clarity in Velocity ⬩ Comets ⬩ Contact ⬩ Conway’s Game of Life ⬩ Crush ⬩ Deepstep Come Shining ⬩ Desire, I Want to Turn Into You ⬩ Discrete Categories Forced into Coupling ⬩ Drawing for the Absolute and Utter Beginner, Revised ⬩ Entangled Life ⬩ Envisioning Information ⬩ Eroding Witness ⬩ Essays in Idleness ⬩ Ethics: Subjectivity and Truth ⬩ Faithful and Virtuous Night ⬩ ‘Fleabag’ Creator Phoebe Waller-Bridge Talks About the Hard Work of Growing Up ⬩ Friendship: A History ⬩ Fundamental understanding of millipede morphology and locomotion dynamics ⬩ Fundamentals of Esperanto ⬩ Giovanni’s Room ⬩ Goodtime Jesus ⬩ Grief Is the Thing with Feathers ⬩ Here’s Why You Don’t See Blimps Anymore ⬩ How Lobsters See, and How Lobster Eyes Work ⬩ How ‘The Windshield Wiper’ Filmmaker Alberto Mielgo Seeks The Answer To The Question Of “What Is Love?” ⬩ How to Draw a Bunny: A Ray Johnson Portrait ⬩ In a Crowded Anime Dreamscape, a Mysterious Pixie ⬩ In praise of Hausu, the world’s most demented haunted house film ⬩ Index Cards ⬩ Inhabiting the Negative Space ⬩ Interview with the Team of Shortlisted “My Year of Dicks” ⬩ I’ve Dreamed of You So Much ⬩ Jakob von Uexküll’s Concept of Umwelt ⬩ James Baldwin: His Voice Remembered; Life in His Language ⬩ Letters to a Young Painter ⬩ Lighthousekeeping ⬩ Lunch Poems ⬩ Magic Ship ⬩ Make Yourself Happy ⬩ Mapping Obsessão: In Conversation with Lyle Ashton Harris ⬩ Mayakovsky ⬩ Nature Poem ⬩ Newfound fossil species of lamprey were flesh eaters ⬩ No One Is Prepared for Hagfish Slime ⬩ On Photography ⬩ On Pleasure, Emotion, and Striving ⬩ On the Inconvenience of Other People ⬩ Ophrys apifera ⬩ Out of This World: Dash Shaw on Fantastic Planet ⬩ Permanent Red ⬩ Phosphorescence of Thought ⬩ Poems ⬩ Princess Cyd ⬩ R. Crumb’s Kafka ⬩ Receiving Dead Satellites with the RTL-SDR ⬩ Scarlet Tanager ⬩ Selected Poems ⬩ Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing ⬩ Sister Outsider ⬩ Social signal learning of the waggle dance in honey bees ⬩ Story of the Eye ⬩ Sundance 2017 Interview: Alison Brie, Dave Franco, Kate Micucci and Molly Shannon on “The Little Hours” ⬩ Sylvan Esso ⬩ Symbiosis in lichens ⬩ Thank You Terror ⬩ That Was the Answer: Interviews with Ray Johnson ⬩ The Baudelaire Fractal ⬩ The Infinite Playground: A Player’s Guide to Imagination ⬩ The Leaf-cutter Ant’s 50 Million Years of Farming ⬩ The Letters of a Post-Impressionist: Being the Familiar Correspondence of Vincent Van Gogh ⬩ The Letters of James Schuyler to Frank O’Hara ⬩ The Lining of Forgetting: Internal & External Memory in Art ⬩ The Many Faces of Jane Birkin ⬩ The Nick of Time ⬩ The Painter of Modern Life and Other Essays ⬩ The Pleasure in Drawing ⬩ The Sense of Sight ⬩ The Shape of a Pocket ⬩ The similarity of life across the universe ⬩ The Stages of Whale Decomposition ⬩ Thousands ⬩ Time Is the Thing a Body Moves Through ⬩ Tunic Audio Secrets ⬩ Twenty Prose Poems ⬩ Wastoid ⬩ What Jacques Derrida Understood About Friendship ⬩ What We Talk About When We Talk About Game Aesthetics ⬩ What’s inside a moray eel’s mouth? ⬩ Why Is the Kiwi’s Egg So Big?